Behind the Curtain May 2026
Greetings, everyone! Spring is blossoming, the weather is heating up, what could be a better time for some theater? There’s lots happening in English-friendly theater this month, especially with Theatre World Brno. If you have some time between performances, please take a few minutes to fill out our audience survey.
Speaking of audiences, we’re looking for a few supportive folks to come to the dress rehearsal for Professional Foul on 17 May at 15:00. Having an audience helps us make sure we’ve got everything right and it’s a chance for you to peek behind the scenes. Interested? Write to anne@czechtheater.cz.
The Show Must Go On
"Ethics is a very complicated business."
Czech Theater’s spring play is Professional Foul by the late great playwright Tom Stoppard. It’s a story of dons and dissidents, sports stars and StB agents, set in 1977 Czechoslovakia. The play is a (mostly) humorous view of what happens when the unstoppable force of stark reality confronts the immovable position of staid morality.
A philosophy professor attends a weekend conference in Prague, where he plans to be “a tiny bit naughty”. When his assumptions about morality, ethics, and good manners are tested by the political regime of the country, he has to reconsider everything he thought he knew.

If you’re looking for a cultural night out, Brno’s welcoming English-friendly theater scene has something to offer.
These upcoming shows will be in English:
A Doll’s House
When: 16 and 17 May
Where: Mahen Theatre
Night of Theatre
When: 17 May
Where: Lumos
These upcoming shows will have English surtitles:
Jane of Arc/Jana z Arku
When: 11 May
Where: HaDivadlo
Someday the Kids Will Thank Us/Jednou nám za to děcka poděkujou
When: 12 May
Where: Husa na provázku
Temptation/Pokoušení
When: 13 May
Where: Mahen Theatre
Snow Negatives: Wetzler, Vrba, Schulman, Lux
When: 13 May
Where: Brno City Theatre
Darwin & Co.
When: 14 May
Where: Husa na provázku
The Wild Duck
When: 14 May
Where: Mahen Theatre
My Hooves Have Already Torn Up the Ground/Moje kopyta rozryla už zem
When: 15 May
Where: Husa na provázku
Sense and Sensibility/Rozum a cit
When: 15 May
Where: Brno City Theatre
Rhino/Nosorožec
When: 16 May
Where: Brno City Theatre
Radiant Vermin/Zářivá verbež
When: 16 May
Where: Reduta Theatre
Heda Gablerova
When: 18 May
Where: Mahen Theatre
The Vultures
When: 18 and 19 May
Where: Reduta Theatre
Mrs. Dalloway
When: 22 May
Where: Reduta Theatre
The Marx Family Saga/Sága rodu Marxů
When: 27 May
Where: Husa na provázku
Memory Burn/Rozložíš paměť
When: 30 May
Where: HaDivadlo
Waiting in the Wings
A report from the director of Professional Foul:
A professional foul is when a player deliberately breaks a rule in order to prevent the opposition from scoring. We’ve counted, and there are at least six professional fouls in this play – soccer players and academics score against each other, and characters break their own ethical codes to prevent a greater injustice.
One place we’re not seeing any professional fouls is among our delightful (amateur) cast – it’s a pleasure to be spending my Sundays with this team of people who are supporting each other, meeting to learn their lines even on their days off, and covering for each other when someone can’t make it to rehearsal. We are working together to tell this beautiful and sad and funny story as well as possible.
Much like our professor, we’ve been through some changes. Not being able to use authentic Czech cover songs from 1977 was a particular blow for me, as I think it captures the time so well, and I apparently like a dance number whenever possible. But the decision to primarily use atmospheric sounds (running water, a crowded conference hall) and a fairly minimalist set has meant that the performance stays focused on the story and the characters. I like to imagine Tom Stoppard would have wanted it that way.



A report from the director of Sleeping Disorders:
I’m excited to see this project finally get (re)started. It’s an intense play, with lots of layers to uncover, so we’re getting an early start on it this time (performances are planned for September). We’ve had a few meetings already – less like traditional rehearsals and more like discussions. It’s the start of a deep dive into some challenging material, and I couldn’t ask for better fellow divers. We haven’t managed to understand everything just yet, but we still have some time to go. Luckily, the nice weather means we get to spend the time pleasantly outdoors enjoying each other’s company and the engaging text.
Intermission
Under Normalization in 1972, after leaving Divadlo na Vinohradech in protest of changes there, Vlasta Chramostová was unable to perform in public. What could she do? Instead of giving up on theater, she started her Bytové divadlo (Apartment Theater) where over the years she and her friends put on dozens of performances in private apartments in Prague, Brno, Olomouc, and Hrádeček (at Václav Havel's country home).
One of the performances was Pavel Kohout's adaptation of Macbeth for 5 actors (including Chramostová) and small living rooms. This inspired Tom Stoppard to write Cahoot's Macbeth, where the adaptation is performed under the eyes of the secret police.
Image adjusted from one by Gampe, licensed and released under CC BY-SA.
In the Spotlight
This month, we’re shining the spotlight on Miguel Salazar from Mexico.
🎭 When did you first get involved in Czech Theater?
Got involved in late 2019, for The Vaněk Plays.
🎭 Do you have a favorite line from a play that Czech Theater has performed?
In that first play, I loved the repetition of "Let's just drop it, shall we?"

🎭 Do you have any pre-performance routines or superstitions?
Not pre-performance, but regarding superstitions I think it's always been the case that at least one cast member is dealing with heartbreak.
🎭 Can you share with us any funny or unexpected onstage/backstage mishaps or memories?
There was a moment in Cat on the Rails when a sign fell from where it had been placed and some people who saw it thought that it was on purpose and a powerful metaphor. Incredible to see what people find meaning in.
🎭 What do you like most about being part of Czech Theater?
It's a nice way of pretending to not be myself for a little while, and at the same time not faking anything. There is something liberating from that. Wearing a mask is comfortable as long as you chose to do it, I suppose.

A Tough Act to Follow

To take a shot: to try something, to hit at something, to propel a ball toward a goal, to make a hurtful remark, to drink hard alcohol, to fire a gun. All of these happened in Dad Takes a Shot.
The play was written by Jiří Pokorný and won the Alfred Radok prize in 1997. The play’s language – rough, crude, poetic – is one of its appeals, and this poetry came through in the performance. The play starts as a naturalistic story of a group of drunks at a non-stop pub and then escalates violently into a pitch-dark comedy.